Showing posts with label steffen peters. Show all posts
Showing posts with label steffen peters. Show all posts
Tuesday, July 26, 2011
THEY DID IT AGAIN!
Setffen Peters, Ravel, and Avatar music at Aachen CHIO 2011 FTW! It's a shame they didn't win, especially when the winner Totilas and Matthias Alexander (I'm not surprised, and I didn't like the poor horse with Gal or Alexander) looked so iffy and Peters and Ravel looked so relaxed and loose, but good Lord, this one had my psyched!
Maybe I'm biased towards Peters, but you can tell from the audience reaction that I am not alone.
Saturday, July 16, 2011
Quote of the Day: Steffen Peters
"A horse with amazing gaits can cover up even the most un-amazing rider."
-Steffen Peters
Haven't we all seen the rider who posts on her tippy-toes, sea-saws at the bit, has incredibly unsteady hands, flaps her legs against the horse's barrel, or flops up and down like a toddler on a trotting pony? But that very nice horse with big, lofty gaits and natural self-carriage sure makes her look like a pro, huh?
I heard him say this at his clinic in Dallas last November. Still can't find the rest of my notes!
I've heard George Morris say something similar about the GP riders who click their heels over the backs of their saddles over a jump (LOL) during a Q&A in Practical Horseman. I need to find that next!
Monday, June 6, 2011
Steffen Peters: Improving The Uphill Balance in The Canter
One of my favorite riders! If you're new to the blog, you can scroll down a bit and on the side is a picture I took with him at one of his clinics at Valhalla Stables in the DFW area! Wonderful clinician! Anyway, a interesting vid from a video series he's been doing on the USDF's YouTube channel (USDFORG) and relative to some things I'm working on right now (the bare basics of it, anyway). Sorry the sound's a bit shoddy, it's like that on all of the videos.
Wednesday, February 9, 2011
Cross-post: new Totilas and Mathias video (my thoughts)
Cross-post from Behind the Bit.
I had too much to say to simply comment.
The first thing that came to my mind when watching this was something Edward Gal said in a Dressage Today article about the first time he sat on Totilas. He said he felt so powerful beneath him, that it almost felt dangerous to even be on, "frightening" as he put it, because there was so much power in that horse, and he got off very quickly. He gave him another go, it went better, and so on and so forth.
The first thing that came to my mind when watching this was something Edward Gal said in a Dressage Today article about the first time he sat on Totilas. He said he felt so powerful beneath him, that it almost felt dangerous to even be on, "frightening" as he put it, because there was so much power in that horse, and he got off very quickly. He gave him another go, it went better, and so on and so forth.
So that was the big thing I thought of when I saw how held-back Totilas seemed to be, and how less-fluid his movement was, if you could call his movements under Gal as truly fluid (I'll touch on that in a few). Mathias is holding that pony back because A) he's on a horse that probably feels unlike any horse anyone had ridden before, and B) he's got all the pressure upon him to be like Totilas' former rider, Edward Gal, and do as well with the horse as Gal did.
Yeah, I'd be scared poopoo-less as well, and I'd for sure be holding on to the bit a little more than I should have.
(Also, ENOUGH with the Pirates of the Caribbean music! It's been overused! I could tell right away where that music was from!)
And lastly, I still am iffy about Totilas. While I will say his gaits are extraordinarily unusual, and quite attractive to a non-horse person (and even so to a horse person, myself included upon initially seeing him go) the more and more I see them, the more and more they simply bother me.
Yeah, I'd be scared poopoo-less as well, and I'd for sure be holding on to the bit a little more than I should have.
(Also, ENOUGH with the Pirates of the Caribbean music! It's been overused! I could tell right away where that music was from!)
And lastly, I still am iffy about Totilas. While I will say his gaits are extraordinarily unusual, and quite attractive to a non-horse person (and even so to a horse person, myself included upon initially seeing him go) the more and more I see them, the more and more they simply bother me.
I have yet to see him do a normal trot, and even then what I suppose is his normal trot seems to be a faster-paced passage. His extended trots and passages have little difference, almost the same tempo, and he doesn't glide in the extended trot like I've seen most Grand Prix horses do, and from what I understand are supposed to look like. His hind end does not match up to his front, he does not step as much underneath himself like a dressage horse is supposed to do. He never looks relaxed, he never looks loose and free, like he could hold his position on a simple snaffle or even a loose rein. He doesn't look like he really enjoys his work, like it's been thrust upon him because of his talent (story of many an Olympic horse's life, no?)
It doesn't look natural to me, and isn't dressage supposed to be a horse's natural movements exemplified? Totilas' movements, for the most part, seem to be just beyond natural, somewhat unhealthy, and I don't know if that's necessarily a good thing for the dressage world to progress towards, as impressive as the gaits are.

This looks relaxed and follows my purist ideals of a horse's natural movements exemplified. Did I mention this mare is full blood stock QH? Look at that hind end reaching, and matching the front end! And look at how relaxed BOTH of the reins are! A horse, if trained well, does not have to be held into a position, as show here, in Exhibit A.
It doesn't look natural to me, and isn't dressage supposed to be a horse's natural movements exemplified? Totilas' movements, for the most part, seem to be just beyond natural, somewhat unhealthy, and I don't know if that's necessarily a good thing for the dressage world to progress towards, as impressive as the gaits are.
This looks relaxed and follows my purist ideals of a horse's natural movements exemplified. Did I mention this mare is full blood stock QH? Look at that hind end reaching, and matching the front end! And look at how relaxed BOTH of the reins are! A horse, if trained well, does not have to be held into a position, as show here, in Exhibit A.
(This also looks like Greta's little Quarter Horse butt when she gets really engaged. It gives me hope! If this pony can do it, why not Miss Golightly?)

This looks relaxed as well, and natural, and Ravel is a modern warmblood. Steffen, at the clinic I went to in October, was very adamant about NOT holding a horse or forcing a horse into a postion. Because the biggest culprit was the host of the clinic, Steffen didn't get after him as much I thought he perhaps might have wanted to, seeing how he kindly reminded other riders to never allow their horses to hang on the bit or to force a horse into a position, which will also cause the horse to hang on the bit (among other things). He was very much a proponent for self-carraige, which is what much of the clinic focused on. And, as we can see in the above picture, his ideas certainly work, even at the Olympic level, and Ravel always looks so relaxed and happy, even when Steffen does have to snatch a bit more rein in electric situations like the WEG or Olympic arena.
This looks relaxed as well, and natural, and Ravel is a modern warmblood. Steffen, at the clinic I went to in October, was very adamant about NOT holding a horse or forcing a horse into a postion. Because the biggest culprit was the host of the clinic, Steffen didn't get after him as much I thought he perhaps might have wanted to, seeing how he kindly reminded other riders to never allow their horses to hang on the bit or to force a horse into a position, which will also cause the horse to hang on the bit (among other things). He was very much a proponent for self-carraige, which is what much of the clinic focused on. And, as we can see in the above picture, his ideas certainly work, even at the Olympic level, and Ravel always looks so relaxed and happy, even when Steffen does have to snatch a bit more rein in electric situations like the WEG or Olympic arena.
All in all, while Totilas' movements are impressive to a certain degree, they are also bothersome to a certain degree. Those are just my opinions ;)
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